FROM THE PUBLISHER >>Itís Biscuit time in Helena
If you were thinking about going down to Helena for just a few hours on Saturday, consider making it a long weekend, but take your camper or tent with you since the motels in the area are probably sold out.
The festival changed its name a couple of years ago, after a New York outfit bought the rights to the King Biscuit logo and threatened to hold a competing festival in Memphis (that hasnít happened yet). But the Helena festival is still going strong, drawing thousands of visitors from all over the world. (See www.bluesandheritage.com for a complete listing.)
The musicians at this yearís festival may not be household names ó the original blues giants are mostly gone, including Arkansas native Robert Lockwood Junior, who performed at King Biscuit just about every year and passed away last November at the age of 91 ó†but 94-year-old Pinetop Perkins is scheduled to appear Friday, and there will still be plenty of good music by young and old artists, who will keep the blues alive for at least a couple of generations.
The festival opens with several winners of blues competitions, followed by blues elder statesman and educator Sterling Billingsley of Mississippi and then gospel-blues singer Diunne Greenleaf of Houston.
Wayne Baker Brooks of Chicago, son of blues great Lonnie Brooks, follows Greenleaf. Mississippi blues-soul legend Bobby Rush performs with Blinddog Smokiní and the evening ends with the Lee Boys, a sacred-steel band from Miami.
Fridayís festivities start early in the afternoon with two important Mississippi Delta bluesmen, Lilí Dave Thompson and drummer Sam Carr, the son of famed bluesman Robert Nighthawk, both originally from Helena, where Nighthawk is buried. (Carr lives across the river in Dundee, Miss.)
Smokiní Joe Kubek of Dallas comes on with Bnois King of Louisiana, combining Kubekís heavy guitar playing with Kingís jazz guitar and vocals.
Friday evening, itís Pinetop Perkins, a festival favorite, with his sidekick Bob Margolin, who both played in Muddy Watersí band.
Up next will be a great blues showman, Chicagoan Lilí Ed Williams and his Blues Imperials. Wearing a fez, he evokes the spirit of his uncle, the late great J.B. Hutto.
Sherman Robertson of Louisiana will add a touch of Cajun music to the festivities, followed by three incendiary guitar players, North Little Rockís own Michael Burks, who will be joined by Larry McCray and Carl Weathersby.
Thatís Fridayís impressive lineup on the main stage, but nearby on the Houston Stackhouse acoustic stage, donít miss Louisiana wizard Eugene (Hideaway) Bridges and Mississippi bluesmen Bill Abel, Cadillac John and Jimmy (Duck) Holmes.
Bridges also appears at noon Saturday on the main stage, followed by Alabama bluesman Willie King and Terry Evans from Los Angeles.
Thereís plenty more on Saturday:
Anson Funderburgh and the Rockets (without the late, great Sam Myers), Robert Lockwood Junior Band (without Robert). Then itís 70ish Hubert Sumlin (Howliní Wolfís guitarist) and Helena native Willie (Big Eyes) Smith (Muddy Watersí drummer). Cajun bluesman Kenny Neal is next, followed by the Mannish Boys from Texas.
Try the gumbo on Cherry Street between the acts.
On Sunday afternoon, you might cross the river to downtown Clarksdale, where several musicians will perform in front of Cat Head music store, including Fat Possum recording artists Robert Belfour and T-Model Ford. Across the tracks at the train depot (where Muddy Waters caught a train to Chicago 65 years ago), it will be the amazing Rooster Blues artist Robert Bilbo Walker.
Then you might make it over the nearby Hopson Plantation, where several musicians will honor Pinetop. The nonagenarian keyboardist might or might not play, because his mother warned him about playing the blues on Sunday, but he might play a couple of bars if his mother looks down at him from heaven and tells him itís OK.
Itís great music, and itís all free, except for the Hopson program (where they serve some of the best barbecue in the Delta), but try to tip the musicians whenever you can. Theyíre not rich. Thatís why they call it the blues.